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[Abbazia di San Colombano (Bobbio, Italy). Byzantine lead ampulla: Holy woman at the tomb, Crucifixion, angel guarding the tomb and exaltation of the cross. VII century]
[Abbazia di San Colombano (Bobbio, Italy). Byzantine lead ampulla: Holy woman at the tomb, Crucifixion, angel guarding the tomb and exaltation of the cross. VII century]
[Abbazia di San Colombano (Bobbio, Italy). Medallion of wood composition with St. Simon Stylites. VII century]
[Abbazia di San Colombano (Bobbio, Italy). Medallion of wood composition with St. Simon Stylites. VII century]
[Abbazia di San Paolo, (Spoleto, Italy). Romanesque school, fresco representing prophets and scenes from the book of Genesis. XII century]
[Abbazia di San Paolo, (Spoleto, Italy). Romanesque school, fresco representing prophets and scenes from the book of Genesis. XII century]
[Basilica di San Giovanni Battista, (Monza, Italy). Byzantine lead ampullae representing Doubting Thomas, Crucifixion and Holy Women at the tomb, Adoration of the Magi, Ascension, the Apostles. VI century]
[Basilica di San Giovanni Battista, (Monza, Italy). Byzantine lead ampullae representing Doubting Thomas, Crucifixion and Holy Women at the tomb, Adoration of the Magi, Ascension, the Apostles. VI century]
[Basilica di Sant' Ambrogio, (Milan, Italy). Sarcophagus,
[Basilica di Sant' Ambrogio, (Milan, Italy). Sarcophagus, "City Gate" type: Christ on the Mount with Apostles. IV Century]
[Basilica di Sant' Ambrogio, (Milan, Italy). Sarcophagus,
[Basilica di Sant' Ambrogio, (Milan, Italy). Sarcophagus, "City Gate" type: Sacrifice of Isaac, Deceased with Saints. IV Century]
[Basilique Sainte-Marie-Madeleine, (Saint-Maximin-la-Sainte-Baume, France). Sarcophagus]
[Basilique Sainte-Marie-Madeleine, (Saint-Maximin-la-Sainte-Baume, France). Sarcophagus]
[Basilique Sainte-Marie-Madeleine, (Saint-Maximin-la-Sainte-Baume, France). Sarcophagus: Christ and the Centurion, Christ healing the blind, monogram, denial of Peter, Christ and the Canaanite woman, orant, St. Peter raising Tabitha]
[Basilique Sainte-Marie-Madeleine, (Saint-Maximin-la-Sainte-Baume, France). Sarcophagus: Christ and the Centurion, Christ healing the blind, monogram, denial of Peter, Christ and the Canaanite woman, orant, St. Peter raising Tabitha]
[Biblioteca Laurenziana, (Florence, Italy). Byzantine illumination from the
[Biblioteca Laurenziana, (Florence, Italy). Byzantine illumination from the "Rabula Gospel": Ascension and Crucifixion. VI century]
[Biblioteca Medicea Laurenziana, (Florence, Italy). Christian iconography: drawing of the communion of the Apostles, at the occasion of the Last Supper, from Rabula Gospel 586 A.D.]
[Biblioteca Medicea Laurenziana, (Florence, Italy). Christian iconography: drawing of the communion of the Apostles, at the occasion of the Last Supper, from Rabula Gospel 586 A.D.]
[Bibliotèque Nationale, (Paris, France). Byzantine Illuminations from the Codex Sinopensis from Sinope: multiplication of loaves and fishes]
[Bibliotèque Nationale, (Paris, France). Byzantine Illuminations from the Codex Sinopensis from Sinope: multiplication of loaves and fishes]
[Braccio Nuovo, (Vatican City). Demosthenes, detail of head, profile, from an original by Polyeuctus]
[Braccio Nuovo, (Vatican City). Demosthenes, detail of head, profile, from an original by Polyeuctus]
[British Museum, (London, England). Coptic illumination representing the Archangel Michael. Ms. (or.7021.fol.13). IX-X century]
[British Museum, (London, England). Coptic illumination representing the Archangel Michael. Ms. (or.7021.fol.13). IX-X century]
[Chiesa di Santo Stefano Rotondo (Rome, Italy). Mosaic. SS. Primus and Felicianus. VII century]
[Chiesa di Santo Stefano Rotondo (Rome, Italy). Mosaic. SS. Primus and Felicianus. VII century]
[Christian iconography: drawing of the Nativity from a metal ampulla in Monza. VI century]
[Christian iconography: drawing of the Nativity from a metal ampulla in Monza. VI century]
[Christian iconography: drawings of types of the Holy Sepulchre in Medieval iconography]
[Christian iconography: drawings of types of the Holy Sepulchre in Medieval iconography]
[Church of the Eremitani, Ovetari Chapel, (Padua, Italy). Execution of St. James and St. James preaching, from Stories of St. James. Fresco by Andrea Mantegna]
[Church of the Eremitani, Ovetari Chapel, (Padua, Italy). Execution of St. James and St. James preaching, from Stories of St. James. Fresco by Andrea Mantegna]
[Drawings of step, cross and spiral patterns from Middle East and North Africa by W. Flinders Petrie. Slides no. 7-11]
[Drawings of step, cross and spiral patterns from Middle East and North Africa by W. Flinders Petrie. Slides no. 7-11]
[Drawings of various crosses and cross patterns from Germany, Italy and Britain by W. Flinders Petrie, slides no. 22-28]
[Drawings of various crosses and cross patterns from Germany, Italy and Britain by W. Flinders Petrie, slides no. 22-28]
[Drawings of various crosses and cross patterns from Middle East, Europe and North Africa by W. Flinders Petrie]
[Drawings of various crosses and cross patterns from Middle East, Europe and North Africa by W. Flinders Petrie]
[Drawings of various crosses and cross patterns from Middle East, Europe and North Africa by W. Flinders Petrie]
[Drawings of various crosses and cross patterns from Middle East, Europe and North Africa by W. Flinders Petrie]
[Drawings of various crosses and cross patterns from Middle East, Europe and North Africa by W. Flinders Petrie. Slides no. 1, 2, 29-40]
[Drawings of various crosses and cross patterns from Middle East, Europe and North Africa by W. Flinders Petrie. Slides no. 1, 2, 29-40]
[Drawings of various crosses and cross patterns from Middle East, Europe and North Africa by W. Flinders Petrie. Slides no. 1, 2, 29-40]
[Drawings of various crosses and cross patterns from Middle East, Europe and North Africa by W. Flinders Petrie. Slides no. 1, 2, 29-40]
[Drawings of various crosses and cross patterns from Middle East, Greece and Egypt, by W. Flinders Petrie. Slides no.14-19]
[Drawings of various crosses and cross patterns from Middle East, Greece and Egypt, by W. Flinders Petrie. Slides no.14-19]

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