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[Life]
[Life]
[Pearl]
[Pearl]
[Standing nude of young man in plaster]
[Standing nude of young man in plaster]
[Two standing figures in plaster]
[Two standing figures in plaster]
[Old man]
[Old man]
[Abstract]
[Abstract]
[British Museum, (London, England). Paduan School, drawings from
[British Museum, (London, England). Paduan School, drawings from "Paduan Sketchbook": Madonna and Child, Playing boys (2), Judgement of Paris, Death of Orpheus, Roman Soldiers, Wrestlers, Youths in furred tunics]
[Museo Archeologico Nazionale, (Florence, Italy). Painting: portrait head on a wooden tablet of mummy case]
[Museo Archeologico Nazionale, (Florence, Italy). Painting: portrait head on a wooden tablet of mummy case]
[Museo Archeologico, (Florence, Italy). Sculpture: head of Paris and Minerva, terracotta from Arezzo. II-III century B.C.]
[Museo Archeologico, (Florence, Italy). Sculpture: head of Paris and Minerva, terracotta from Arezzo. II-III century B.C.]
[Musée du Louvre, (Paris, France). Greek sculpture, Hellenistic: Victory of Samothrace]
[Musée du Louvre, (Paris, France). Greek sculpture, Hellenistic: Victory of Samothrace]
[Regio IX, Insula 5, 18, (Pompeii, Italy). Drawings of Hermes and Dionysus from panel on western wall in West rooom of peristyle. Third style]
[Regio IX, Insula 5, 18, (Pompeii, Italy). Drawings of Hermes and Dionysus from panel on western wall in West rooom of peristyle. Third style]
[Musei Vaticani, Stanza di Eliodoro, (Vatican City). Raffaello Sanzio: The Liberation of St. Peter]
[Musei Vaticani, Stanza di Eliodoro, (Vatican City). Raffaello Sanzio: The Liberation of St. Peter]
[Regio VIII, Insula 1, (Pompeii, Italy). The Basilica. Fourth period, 90-79 B.C.]
[Regio VIII, Insula 1, (Pompeii, Italy). The Basilica. Fourth period, 90-79 B.C.]
[Museo Nacional del Prado, (Madrid, Spain). Diego Rodríguez de Silva y Velázquez: Surrender of Breda]
[Museo Nacional del Prado, (Madrid, Spain). Diego Rodríguez de Silva y Velázquez: Surrender of Breda]
[Archaeological Museum, (Olympia, Greece). Metope from temple of Zeus, Olympia, W. end: Hercules and the Stymphalian birds]
[Archaeological Museum, (Olympia, Greece). Metope from temple of Zeus, Olympia, W. end: Hercules and the Stymphalian birds]
[National Museum, (Athens, Greece). Grave statue of woman, from Delos. From a IV Century B.C. original]
[National Museum, (Athens, Greece). Grave statue of woman, from Delos. From a IV Century B.C. original]
[Museo Gregoriano Etrusco, (Vatican City). Aesop and fox, detail, inside. Hydria by Penthesilea Master]
[Museo Gregoriano Etrusco, (Vatican City). Aesop and fox, detail, inside. Hydria by Penthesilea Master]
[Italic architecture, (Norba, Italy). Norba walls]
[Italic architecture, (Norba, Italy). Norba walls]
[Gemäldegalerie, (Dresden, Germany). Antonio Allegri da Correggio: Madonna with St. Francis, St. John and others, 1514]
[Gemäldegalerie, (Dresden, Germany). Antonio Allegri da Correggio: Madonna with St. Francis, St. John and others, 1514]
[Museo Civico dell'età Cristiana, (Brescia, Italy). Roman ivories: consular diptych of Manlius Boethius, 487 A.D.]
[Museo Civico dell'età Cristiana, (Brescia, Italy). Roman ivories: consular diptych of Manlius Boethius, 487 A.D.]
[Coins, Greek. Silver coins from Abdera in Thrace]
[Coins, Greek. Silver coins from Abdera in Thrace]
[Staatliche Museen, (Berlin, Germany). Wax tablets: birth certificates, Roman. P 14004 B., P 14004 A., P 14005 B, P 14009 B.]
[Staatliche Museen, (Berlin, Germany). Wax tablets: birth certificates, Roman. P 14004 B., P 14004 A., P 14005 B, P 14009 B.]
[Villa Medici now in Museo dell'Ara Pacis, (Rome, Italy). Fragments of frieze and pilasters from Ara Pacis Augustae]
[Villa Medici now in Museo dell'Ara Pacis, (Rome, Italy). Fragments of frieze and pilasters from Ara Pacis Augustae]
The First Lady of the USA, Hillary Clinton, visiting a Fellows Studio accompanied by the President of the Institute Adele Chatfield-Taylor and by the Director of the Institute (Rome, Italy)
The First Lady of the USA, Hillary Clinton, visiting a Fellows Studio accompanied by the President of the Institute Adele Chatfield-Taylor and by the Director of the Institute (Rome, Italy)

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